The Substation Soapbox: Living Stories |
| By Tim Zeelie | |||||
 Bull-lion by S. Chandrasekaran Tim Zeelie caught up with S. Chandrasekaran, the artist, to find out more about this exhibition. TZ: Despite referring to many well-known old and inhereted stories, your idea for this exhibition feels new and unusual. Can you tell us a bit more about the exhibition? SC: Living Stories brings out the ‘symbolic’ representation of stories that belongs to us. These stories express the societal changes that happen as part of our everyday reality, and these changes are transformed and interpreted through various forms of iconic images. The reinterpreted iconic images reflect the various social issues society grapples with, and these regained meanings reflect the various socio-political and economic complexities of daily life in Singapore. Some of the stories have to do with the ‘pre-determined’ conditions in which we live, while others look into how the net-citizens address their tensions and contradictions through social media. This exhibition aims to regain and reinterpret the voice of the society as living stories through paintings, sculptures and drawings. TZ: Roland Barthes, in his book Mythologies, reveals how the symbolism in cultural products often goes unquestioned. Symbolism and meaning is passed off as 'natural', when instead it is socially constructed and embedded in ideology. How does this exhibition relate to Barthes theories, and in what ways are you reinterpreting the semiotics of these stories? SC: I am interested in traditional narratives, in making them relevant to modern society, and in re-expressing them as present-day stories. In the Hindu Epic, the Ramayana, for example, Hanuman the Monkey God depicts his devotion to Rama and Sita by ripping open his heart, in which images of Rama and Sita are reflected. This sort of devotion can still be seen in modern society and in our social and political system. In one of the works, Riches, Reputation and Devotion a bull-lion opens its heart to express the devotion we have for the system. In this image, though, Hanuman becomes the bull-lion, which is a reference to Singapore’s iconic Merlion. In its heart is a bolt of lightning, and above its head it carries a hammer. The hammer and the lightning bolt are both political symbols locally, and help recontextualise the image, and place it within socio-political conditions. TZ: It's a huge exhibition, and includes bronze sculptures, drawings and paintings. How long has it taken to create these works and why did you decide to use these particular mediums (bronze, drawing and painting)? SC: The paintings and small drawings are all images that depict how the psyche is influenced and manipulated by our socio-political and economic reality. The bronze works depict various iconic forms that I’ve adapted and reinterpreted from Indian mythology. These iconic forms bridge the gap between traditional narratives and our present-day context. I hope that they will allow the viewers to see past narratives reflected in the present, as living in the present. These works were created over the period of five years. Living Stories is on at The Substation Gallery from 3 – 23 August 2012. The Substation Gallery is open daily from 12pm – 9pm, and closed on public holidays. The Substation is located at 45 Armenian Street, Singapore, 179936. For more information visit www.substation.org or contact 6337 7800
log in to write comments
Powered by !JoomlaComment 3.25
3.25 Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved." |
|||||
| < Prev | Next > |
|---|
Aiman, Antz, Ben Qwek (MR.B), Jack Youngblood, Jamie Paul, Jeremy Sharma, Malvina Tan, Messy Msxi, Mojoko & Zxerokool
